Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Social Compass
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Mary, A.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Métissage and Bricolage in the Making of African Christian Identities

André Mary

CNRS, Centre d’Etudes Interdisciplinaires des Faits Religieux de l’EHESS (Paris), amary{at}ehess.fr

English

Métissage, bricolage, or hybridizing - the argument continues over the appropriateness of metaphors in the study of contemporary religious productions, and we are invited to question and confront the dialectical or "dialogical" processes which are at work in the appropriation of differences, and the handling of disputes which are part of these processes. A detour by way of all that is involved in the Christian invention of African identities, all that individuals and groups have invested in that invention, the remnant of the colonial encounter, all this contributes to the comparisons which are made in the present writing, and to its conclusions. When we speak of the post-modern re-enchantment with métissage, with its subversive transgressions exemplified by hybridization, or of our fascination with a vanishing bricolage which now is breaking up into simple collage, we may regret the way in which the fecundity of misunderstandings inherent in any encounter has been cancelled, and especially the ambivalent postures which beset the worlds of cultural mixture, and which contribute to their instability.

French

Métissage, bricolage ou hybridité, la dispute sur les métaphores dans l'approche des productions religieuses contemporaines invite à questionner et à confronter les processus dialectiques ou dialogiques qui sont à l'oeuvre dans l'appropriation des différences et la gestion des différends. Le détour par les enjeux de l'invention chrétienne des identités africaines au coeur de la rencontre coloniale nourrit la comparaison et les conclusions de cet article. Dans le ré-enchantement postmoderne des métissages, les transgressions subversives de l'hybridité ou dans l'éloge d'un bricolage qui dérive en simples collages, on peut regretter la manière dont se trouvent évacuées la fécondité des malentendus inhérents à toute rencontre et surtout les ambivalences de posture qui travaillent les mondes meêlés et entretiennent leur instabilité.

Key Words: Africa • bricolage • constraints • hybridizing • individualization • mixture • prophetism • syncretism • Yoruba

Social Compass, Vol. 52, No. 3, 281-294 (2005)
DOI: 10.1177/0037768605055647


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?